Katie Foskett

Atelier started years ago as a sketch for a branding project. Like a lot of my fonts, I would pick it up and work on it for a bit and then have to concentrate on another project. I picked this one back up and came at it with a new perspective, which is always fun. As I was designing it, I was thinking about craft of woodtype and also 70’s Dutch design.

The result is a dramatic typeface with personality that is also clean and fun to use. Atelier has a simple structure that gives the user the ability to style, as needed. That is always one of our challenges, to create a typeface with personality, but also to give it a solid foundation for the end-user.

We added little notches to soften Atelier up a little and help with legibility. As the typeface gets larger, you are able to see these details. We also spent a lot of time making alternates, support for many languages and making sure the spacing and kerning was perfect. We hope you agree!

Polar is a geometric grotesque with characteristic ink traps and rounded vertexes. The family includes 18 variants, with 979 glyphs each of them, and more than 20 OpenType features such as ligatures, fractions, old-style figures, etc.

It can be suitable with long texts and also it works great as a display font. High weights are perfect for upper case headings.

It covers Latin, Central European and Cyrillic characters. Polar supports 46 languages: Afrikaans, Albanian, Azerbaijani, Basque, Belarusian, Bosnian, Bulgarian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Galician, German, Hungarian, Icelandic, Indonesian, Irish, Italian, Latvian, Lithuanian, Macedonian, Malay, Mongolian, Norwegian Bokmål, Polish, Portuguese, Romanian, Russian, Serbian, Slovak, Slovenian, Spanish, Swahili, Swedish, Turkish, Ukrainian, Vietnamese, Welsh and Zulu.

Biargabara is a Script font that has various basic lines, fine lines, classic, elegant, modern touches. Can be used for various purposes. if you want to use it for your work, this font can be used easily and simply because there are many features in it to load a lower complete set of letters and include initial letters and terminals, alternatives, binding and support for many languages. Files include: * Biargabara OTF * Biargabara TTF To activate the alternative OpenType Stylistic, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or newer versions And this font has provided PUA Unicode (code-specific fonts). There are additional ways to access alternatives / swash, using Character Map (Windows), Nexus Fonts (Windows), Font Books (Mac) or software programs like PopChar (for Windows and Mac). If you need help or advice, please contact me via email "[email protected]" Thank you!

DearPony is a sweet, warm, quirky, yet classy serif and signature script font duo.

This charming combination offer a unique and elegant look that make it useful for various creative project. The serif’s contain 240 glyphs with eight weight; Regular, Medium, Bold and Oblique with each matching oblique.

It’s contain language standard latin multilingual support.

Berliana Monoline is typeface was inspired by handwriting using markers. While the name is a word other than Diamonds, namely jewelry worn by many women in the world. Diamond jewelry is so expensive and full of luxury. As regards with diamonds, this font was created to present the luxury of very beautiful diamonds. This font is suitable for wedding invitations, design, logo or branding, or as the font for the typography. Many features in this font such as ligatures, stylistic alternate, fina, swashes, etc with a total more than 370++ Glyphs.

Aldo New Roman

(1000+ glyphs, incl. medieval Latin, Cyrillic, some Greek, ornaments, small capitals, nut fractions...)
Renaissance antiqua · Venetian types · Venetian serif · Humanist serif · Old style antiqua

A modern version of the typeface cut by Francesco Griffo for Venetian printer Aldus Manutius around 1490 AD.

Intentionally not the original Griffo / Aldus / Bembo — but the part of the large project on revival and further development (by drawing many additional glyphs, sometimes over 1000) of the 20th century’s typewriters’ fonts.

Triple pun here :: ::
#1 Aldine Roman type;
#2 Since it is equalized, modernized version — the parallel to the Times New Roman;
#3 He called himself Aldus Pius Manutius Romanus — he was a new Roman during his Renaissance times.

-OC Pájaro [pah-hah-roh, Spanish for bird] is a contemporary sans serif available in twelve styles. With a natural feeling it has the readable width, rhythm and regular proportions of a grotesk with roots in a geometric. The result is a highly versatile font which fuses the timeless elegance of Futura with the compact utilitarian typesetting of Akzidenz.

-OC Pájaro effortlessly traverses the spectrum from high-end sophistication, approachable readability, and functional information design. Crafted with a tireless focus on kerning, angled terminals are cut to fit neighboring curved letters making the bolder weights perfect for logotypes and display type, while lighter weights are well suited for long passages of text. A large x-height and short ascenders that run level with the low cap-height give a strong horizontal emphasis and allow for tightly packed lines of type.

Typical of both grotesk and geometric styles the design has an even weight with minimal stroke contrast and the slanted form is an oblique rather than a true italic. The default double-story ‘a’ and ‘g’ give a more academic touch, while the friendlier single stories are available as alternates.

The font is designed with extensive open type features including old style figures when setting extensive copy in sentence case and circled uppercase, numbers and symbols inspired by 1960s transit signage.