Katie Foskett

The box cover of “Drawing Stencils No. 3 for Use on Slate or Paper” [a children’s drawing set produced by Montgomery, Ward & Company of Chicago circa the 1890s] had its title in an elegant spurred Roman type face.

Working from the few letters available, a complete character set was created that resulted in Antique Packaging JNL, which is available in both regular and oblique versions.

To note, this is the 1500th font release from Jeff Levine Fonts since its inception in January of 2006.

Introducing Ultra System; A modern exploration of 8 fonts, each carefully designed to naturally compliment one another. With 6 clean sans fonts and 2 textured script fonts, Ultra System gives you a variety of ways to combine and arrange each font, allowing you to create striking & modern typographic designs.

This typeface collection consists of 8 fonts;

Ultra System Script • A textured, bouncy & flowing marker script font containing upper & lowercase characters, numerals, and a large range of punctuation.

Ultra System Script Alt • This is a second version of Ultra System Script, with a completely new set of both upper and lowercase characters. If you wanted to avoid letters looking the same each time to recreate a custom-made style, or try a different word shape, simply switch to this font for an additional layout option.

Ultra System Sans • A wide, bold sans font containing uppercase only characters, numerals, and a large range of punctuation.

Ultra System Sans Line One • A thick outlined version of Ultra System Sans, pair this with other Ultra System Sans fonts to add emphasis to words or phrases.

Ultra System Sans Line Two • A thin outlined version of Ultra System Sans, pair this with other Ultra System Sans fonts to add emphasis to words or phrases.

Ultra System Sans Italic • Italic variations are included for all 3 Ultra System Sans fonts.

FAQs;

Accessing Ligatures • Ligatures are supported by most desktop graphics & text software (not just the fancy ones!), including Photoshop, Illustrator, InDesign, Word, Pages & Keynote. Many programs will automatically have this feature switched on for you, but if you need any help accessing then please feel free to drop me a message.

Language Support • All Ultra System fonts support the following languages; English, French, Italian, Spanish, Portuguese, German, Swedish, Norwegian, Danish, Dutch, Finnish, Indonesian, Malay, Hungarian, Polish, Croatian, Turkish, Romanian, Czech, Latvian, Lithuanian, Slovak, Slovenian

Century Schoolbook Pro is a serif typeface published by SoftMaker.

Century PS Pro is a serif typeface published by SoftMaker.

Point™ Soft is more than the rounded edges version of Point™, it is a reinterpretation of what a geometric soft font should look like. Clean, simple, and above all: huggable. Point™ Soft conveys that warm and soft feeling.

With 20 styles it gives you a lot of versatility (From Hairline to Black), plus it comes with two FREE styles for you to play with before commit yourself to buy it.

It has Extended Latin and Cyrillic support, old style, lining and tabular figures and much more.

It has a wide range of use possibilities. Since it is a very readable font in small font sizes and the details really pop out in display sizes. Be it on small or large font sizes, Point will make its point.

Titling Stencil JNL is an extra bold stencil treatment of R. Hunter Middleton’s ‘Karnak’ (produced in 1936 for Ludlow) and is a companion font to both Bookkeeping JNL and Bookkeeper JNL (a lightweight version of the type design).

Middleton based his ‘Karnak’ family of typefaces on the geometric slab-serif ‘Memphis’, which was designed in 1929 by Dr. Rudolf Wolf and released originally by the Stempel Type Foundry of Germany.

According to Wikipedia, ‘Karnak’ was named after the Karnak Temple Complex in Egypt, in reference to the fact that early slab serifs were often called “Egyptians” as an exoticism by nineteenth-century type founders.”

Titling Stencil JNL is available in both regular and oblique versions.

Afrik is a hand painted font which letterforms were inspired by Proto-Saharan Ancient African writing system and scripts for African languages such as Mande and Vai.

Drawing technique I took from Ethiopian Tribe Karo body painting. I drew each letter with my finger using self-made paint from crushed charcoal.

Afrik is uppercase font and instead of tall capital letters uses wide. They can be used instead of double letters or just to diversify a typing. Also, I included up to 4 alternate “decorations” for most of the letters which will help you to create unique artwork (use “Contextual Alternates” feature to randomize look automatically).

Afrik perfectly fits for posters, clothes design, and any design​ with a ​wild ethnic mood.