Katie Foskett

This is an Arabic font designed according at the standards of Calligraphy. It contains a consistent styling and can be used in many functions.

Darlene is a sans with contrast and round corners. The absence of serifs results in a clean look, the contrast adds a touch of elegance and the soft edges help to keep it all friendly looking. So whenever you need to convey any of these traits, Darlene is perfect for you. Mainly intended for headlines, logos, invitations or other display uses, this font family provides enough readability to be used for short texts, especially the lighter weights. This means that Darlene is great if you want to use it as a counterpart to a script or handlettering, or simply to juxtapose a more playful or kitschy font. Darlene is available in three weights with italics and equipped with lots of accented characters to cover heaps of languages using the latin alphabet.

In the neighbourhood of  Bajos de Mena (Puente Alto, Chile) there are many stores and shops with signs and printed posters using typefaces such as Arial or Helvetica. These typefaces are used for all different purposes, from 8 pts to gigantics sizes, because local people would work with what they have within reach, also in terms of fonts. «What is Helvetica doing here?» that is the question that led me to design Mena Grotesk, a sans serif typeface for Bajos de Mena. Mena Grotesk is a Neo-grotesk typography made in the Chilean way. Gifted with a more humanist proportion, with sharper inner curves and softer outer curves, Mena Grotesk counts with the character to stand out in big sizes and enough control to not distract the reader: it is a typeface to be seen and to be read. Mena Grotesk is a full time worker font, a “handyman”, as my people. Mena Grotesk is composed by 20 styles, 886 glyphs and Small Caps. Besides, it has powerful OpenType features for each style, including stylistic sets, borders and patterns, extended language support, ligatures, contextual alternates, lining figures, oldstyle figures, arrows, circled and black circled numbers, fractions, superscripts, subscripts and many more.

Bertilda Script come with 250+ glyphs. The alternative characters were divided into several OpenType features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates. The OpenType features can be accessed by using OpenType savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. And this Font has given PUA unicode (specially coded fonts). so that all the alternate characters can easily be accessed in full by a craftsman or designer. Happy Designing Thanks

Emperatriz—with deep roots in the Roman tradition—is an elegant font and, above all, firmly situated in the present, featuring monumental forms and a classical design yet with a contemporary twist. It is a refreshing, clean, modern display font, perfect for the editorial design of magazines and catalogs, for the creation of titles and short texts, on book covers and large format publications, or as part of a corporate identity, logos, packaging and labels. Every variant in the family has generous counter forms, with ligatures and alternative capitals (Q, R, P, O), as well as oldstyle and Roman numerals, manicules, and monetary and mathematical symbols, providing a complete set with language support for more than 200 Latin script languages.

Alaysa Script is retro signage font, bold and clean. There are so many variations on each character. Include OpenType stylistic alternates. You are able to create so many different typographical layouts easily and quickly. Make sure you use OpenType savvy program and simply open Glyph Palette to access all of the glyphs. This font is suitable for t-shirts, signage, logos, headlines, branding, packaging, etc. Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters – Fully accessible without additional design software.

As the name, Clarina Sans is sans serif type family with two weight plus matching italics. Clarina Sans was desinged in 2018/19, influenced by geometrics typeface from handbook and newspapers in 80's during studying that have a good legibility. Clarina sans with medium to high x-heigh and geometric correction and smoothed corner has more elegant visibility, readable, and save space altogether. Its perfect for book, newspaper, web, logos, magazines, posters, and most other design. Equiped with more than 700 glyphs for eachs cut (latin plus, greek, cyrillic), ligatures, kerning, case sensitive for diacritical mark modifier, Clarina Sans has wide range languages coverage.