Katie Foskett

Overbold is an unapologetic display typeface inspired by an illustration in Eric Gill's Essay on Typography (p.51), in which he demonstrates «how not to make letters». In particular, he shows that increasing the weight of the downstroke in a serif «A» without structural adjustments yields an absurd, «overbold» result. I found the letter so charming that I decided to blatantly disregard Gill's wisdom and draw an entire overbold typeface. Here is the result. I'm not sorry.

Crafted in the best tradition of the geometric sans-serif, Rondana is a typographic tribute to the the retro-futuristic aesthetics of the 1960s and 70s, as well as an exercise in purity of line. However, its spirit is decidedly non-bauhausian, since its strokes intentionally deviate from the dull, obvious, ruler-and-compass construction; its arcs and curves being much more complex, tending towards a slightly square shape, imbued with subtle modulations. This sums up to a more organic, flowing, extroverted personality than the one just expected from the use of plain, simple geometry. Another feature is the conscious use of non-standard shapes for many signs, that are quite legible but somewhat unexpected, such as the E, the g and the ampersand; making Rondana an excellent display face and also giving a particular flavor to the text composed in it, especially in its italic variants —which are, by the way, designer italics in their own right and not just an oblique version of the roman. Rondana comes in twelve variants comprising a wide spectrum of weights, allowing for an extremely diverse range of expression.

Rollgates - An Modern Sans Serif and minimalist character! it's perfect for logos, name card, magazine layouts, invitations, headers, or even large-scale artwork.

Folito is a modernist sans serif typeface. Its design combines typically grotesk-style letterforms, with some characters that are quite geometrically-designed. In terms of its appearance, Folito was inspired by Modernism and Industrial-Era graphic and typographic design. The family has five weights on offer, ranging from Light to Black. It is an excellent choice for use in branding, editorial, and poster design. Folito’s lowercase ‘a’ and ‘g’ are double-storied; however, single-storied alternates are available, through an OpenType feature. The fonts’ other OpenType features include 10 ligatures per font, as well as alternate versions of the ‘G’ and ’t’. The default numeral style in each of the fonts is proportional lining figures; three other styles of numbers are included, too. There are tabular lining figures, as well as numerators and denominators for typesetting fractions. The fonts’ lining figures have the same height as the uppercase letters. The lowercase’s ascenders are drawn to be slightly taller than the common height of the capital letters and numerals. Each Folito font contains ten directional-arrow glyphs, as well as six glyphs of circles, squares, and triangles. There is also a peace sign in the character set, a smiling-face emoji, a check mark, and two versions of the numbers one through nine, each enclosed inside of differently-filled circles. Folito is the work of Deni Anggara, an Indonesian designer based in Medan.

Mix Adorkable was handwritten on an iPad Pro using my Mix Streamline Procreate Brush. The characters were then cleaned up, and converted into a font. Mix Adorkable contains alternates for certain letters, using a heart in lieu of dots or circles. Mix Adorkable Love is the same font using the heart-glyphs as defaults—for those who can’t access alternates.

Hello Walter is a nice and clean typography I made for my little boy Walter. The story behind is I want to create a bold font with less holes and funny shapes. More naive but still serious with a lot of glyphs easy to use in many language cyrilic included. Perfect for web and print, for making logos or children book and app. Have lot of fun.

Your new favourite handwritten script font. A great display font with a natural flow. All hand-drawn glyphs with custom linked letters for a unique marker pen look. Perfect for magazine titling, logo marks, signatures. Features: • Regular and bold weights • Alternative glyphs • Ligature sets